Forbidden Fruits

The works of Remon Jephcott

Remon Jephcott: Small Apples

Remon Jephcott's decaying ceramic fruits are both poignant and beautiful. They tell stories of mortality, female fertility, human corruption and inevitable life changes. Her exquisite apples, cherries and pears are cast, carved and expertly finished using lustrous glazes that attract us as any ripe fruit would. With seductive, pear-shaped forms, fractured cherries and mottled apples, Remon finds beauty in fallen fruits and metaphorically discusses female sexuality. Each piece screams that beauty is in the eye of the beholder.

Remon Jephcott: Dark Pears

As fruits rot, the outer structure of the fruit is broken down with the help of saprophytes, who keep the environment clean by feeding on decomposing organic matter. The process is essential for the health of the planet.

The depiction of fruit evokes the portrayals of Adam and Eve described in the Old Testament. Notably, Eve's supposed role in being manipulated by the serpent represented by the devil has come to mar the reputation of women. However, it equally places men in a position of powerlessness and weakness. Ultimately, women are perceived as controlling and temptresses. This simplified narrative has often held women captive while absolving men of any responsibility.

Remon Jephcott: Cherries

Remon says–

Fruits have historically and religiously been used to signify female sensuality and sinfulness. Unsettled by the injustice and aware of the injuries embedded into the female psyche from disregard of individual ownership, my fruit pieces are decayed; the signifier has been disrupted.

Equally, as we naturally age, many women battle to stay relevant and seen. Remon's sculptures speak of the beauty at all stages of our lives. That beauty is not a measurement or judgement of our fecundity but of our contributions to ourselves, others and the world.

Remon Jephcott: Poison Apple

Remon Jephcott: Apple with Fly