Detailed with sprigs and stamps of found artefacts, Phil Jolley’s multi-faceted vessels harness the beauty of past architectural designs, further enriched with layered glazes and lustres.

Influenced by medieval tapestries, William Morris, and Renaissance portraiture, Paulina X. Miranda’s oil paintings are timeless, beautiful and evocative.

With an interest in urban and rural landscapes, and a background in printmaking, Rachel William’s work crosses disciplines with transferred and repetitive marks, which she imprints onto the surface using a variety of found objects.

Radek Andrle’s elegant alloy sculptures are inspired by the beauty of the human form.

With delicate ceramic sculptures that celebrate the beauty of life cycles, Remon Jephcott explores the notion of decaying fruit as a metaphor for the female experience.

Rik Ward takes an experimental, painterly approach to his colourful photo-fusions, lending a vivaciousness to city scenes by layering dynamic images of urban streets, graffiti, architecture and parks.

Stephen Murfitt has been exploring the infinite possibilities of Raku for over forty years. Raku demands a deep engagement with each stage of the process, and Stephen enjoys the way that the pieces absorb and reflect the intense drama of the firing.

Concerned with the relationship and meaning of objects, both as still life and as narrative, Steve Fricker’s paintings are a surreal dreamscape of playful scenes.

Su Jameson’s hand-built ceramic sculptures and figures strive to create exchanges and speak of personal narrative. With forms that are drawn into, punctured and cut away with scratches, finger and tool-marks left like battle scars.

Tim Copsey’s enigmatic ceramics are organic and sculptural, resonant of the Peak District landscape from which they derive.

Tom Diamantopoulo's abstract, structured paintings put process and composition into focus. Captivated by the complexity of the natural landscape, Tom’s work explores the relationship between objects and the space around them.

Walenty Wróblewski tells his stories spontaneously, in an expressionist-like manner, rather than preparing them in advance. He creates his own world image based on emotion and instinct, making his work both direct and intimate.